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Tattoo Artist Willy Wills

FAQ

Welcome to the Frequently Asked Questions (FAQ page). Below, we have tried to answer the most common questions visitors to this our Web site may have. If you find that your question is not answered on this page, please email us blackrosetattoo@gmail.com or call us 11:00am - 5:00pm Monday to Saturday (Extended hours by appointment) at 64 27 389 1193.


Not too long ago, most people associated tattoos with sailors, bikers and sideshow artists. But tattoos have become more popular in recent years, and the people who get them are as diverse as the styles and designs they choose. And some people who would never think of tattooing pictures or symbols onto their bodies use permanent make-up - a type of tattoo - to emphasize their eyes and lips.
In these pages, we'll look at how the tattoo process works and examine the safety and legal issues surrounding it.

 

Tattoo Basics


Artists create tattoos by injecting ink into a person's skin. To do this, they use an electrically powered tattoo machine that resembles (and sounds like) a dental drill. The machine moves a solid needle up and down to puncture the skin between 50 and 3,000 times per minute. The needle penetrates the skin by about a millimeter and deposits a drop of insoluble ink into the skin with each puncture.
The tattoo machine has remained relatively unchanged since its invention by Samuel O'Reilly in the late 1800s. O'Reilly based his design on the autographic printer, an engraving machine invented by Thomas Edison. Edison created the printer to engrave hard surfaces. O’Reilly modified Edison’s machine by changing the tube system and modifying its rotary-driven electromagnetic oscillating unit to enable the machine to drive the needle.


Modern tattoo machines have several basic components:

  • A sterilized needle

  • A tube system, which draws the ink through the machine

  • An electric motor

  • A foot pedal, like those used on sewing machines, which controls the vertical movement of the needle.

When you look at a person's tattoo, you're seeing the ink through the epidermis, or the outer layer of skin. The ink is actually in the dermis, which is the second layer of the skin. The cells of the dermis are far more stable than the cells of the epidermis, so the tattoo's ink will stay in place, with minor fading and dispersion, for a person's entire life.

 

Creating the Tattoo: Steralization & Prep Work


A tattoo machine creates a puncture wound every time it injects a drop of ink into the skin. Since any puncture wound has the potential for infection and disease transmission, much of the application process focuses on safety. Tattoo artists use sterilization, disposable materials and hand sanitation to protect themselves and their clients.
To eliminate the possibility of contamination, most tattoo materials, including inks, ink cups, gloves and needles, are single use. Many single-use items arrive in sterile packaging, which the artist opens in front of the customer just before beginning work.
Reusable materials, such as the needle bar and tube, are sterilized before every use. The only acceptable sterilization method is an autoclave -- a heat/steam/pressure unit often used in hospitals.
Prior to sterilizing the equipment, the artist cleans each item and places it in a special pouch. An indicator strip on the pouch changes colorr when the items inside are sterile.
Before working on customers, tattoo artists wash and inspect their hands for cuts and abrasions. Then, they should do the following:

  • Disinfect the work area with an EPA-approved viricide.

  • Place plastic bags on spray bottles to prevent cross-contamination.

  • Explain the sterilization process to the client.

  • Remove all equipment from sterile packaging in front of the client.

  • Shave and disinfect (with a mixture of water and antiseptic soap) the area to be tattooed.

 

Creating the Tattoo: Outline, Shading & Colour


Clients work with artists to create custom tattoo designs, or they chose images from flash, which are tattoo designs displayed in the shop. The artist draws or stencils the design onto the person's skin, since the skin can stretch while the artist uses the tattoo machine. The artist must also know how deeply the needles need to pierce the skin throughout the process. Punctures that are too deep cause excessive pain and bleeding, and ones that are too shallow cause uneven lines.
The tattoo itself involves several steps:

  • Outlining, or black work: Using a single-tipped needle and a thin ink, the artist creates a permanent line over the stencil. Most start at the bottom of the right side and work up (lefties generally start on the left side) so they don't smear the stencil when cleaning excess ink from the permanent line.

  • Shading: After cleaning the area with soap and water, the artist uses a thicker ink and a variety of needles to create an even, solid line. Improper technique during this step can cause shadowed lines, excessive pain and delayed healing.

  • Colour: The artist cleans the tattoo and then overlaps each line of colour to ensure solid, even hues with no holidays - uneven areas where color has lifted out during healing or where the artist missed a section of skin.

  • Final cleaning and bandaging: After using a disposable towel to remove any blood and plasma, the artist covers the tattoo with a sterile bandage. Some bleeding always occurs during tattooing, but most stops within a few minutes.

 

Early Tools

 

Early tattooing methods used picks, rakes, combs and chisels to cut or puncture the skin before adding pigment. Some Arctic and Sub-arctic tribes created tattoos by pulling a thread coated with soot thorough the skin.

 

How Much Does It Hurt?

 

People describe the sensation of getting a tattoo as similar to bee stings, sunburn or being pinched. Some say they experience a slight tickling or "pins and needles." Individual pain tolerance, the size and type of tattoo, and the skill of the artist all contribute to the amount of pain. Location also makes a difference - skin that rests right over a bone is more sensitive.

 

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